After watching In Her Hands, a Netflix documentary executive produced by Hillary and Chelsea Clinton and about Zarifa Ghafari, Afghanistan’s youngest female mayor of Maidan Wardak, I immediately started Googling what I consider major holes in her story such as what did she do before she became a mayor in 2018? Where is she today and what is she doing? In Her Hands successfully imparts the dangerous nature of her life’s work as a woman in politics living in an ultra male-dominated society. Her driver and bodyguards are always heavily armed and alert. However the documentary feels disjointed and scattered unnecessarily. Perhaps this is because Afghanistan was on the brink of the United States leaving the country after nearly 20 years at war and it was dangerous to adequately tell her story.
When I want to learn more about a subject I always turn to documentaries. They provide a quick way to get the facts and crucial information about an issue I am interested in and then if I want to learn more I turn to other resources including books, news articles, research papers, and the like.
While I know a considerable amount about two new documentaries coming to video on demand (VOD) this year, I know some don’t and can use these as jumping points to learn more about the maternal health crisis in the United States and sex trafficking around the world.
Last weekend Cuba erupted in anti-government protests amid countrywide shortages of food and medicine, as well as constant power outages during one of the hottest months of the year. These protests aren’t new, but questions quickly arose about why the protests started this time. Depending on who you ask you’ll get a variety of answers. Some cite four years of strict sanctions under the Trump … Continue reading Netflix Documentary Explains Current Cuban Anti-Government Protests
Tens of thousands of young Nigerian girls and women leave their country every year with sincere hopes of starting a brand-new life in Europe where they believe they will be met with ample job and educational opportunities to provide for their families. That is what they are often told by “recruiters” in their home states who seek out vulnerable girls (sometimes as young as ten) and women to leave for Europe. Unfortunately, the promises made to them by human traffickers are empty promises. In reality, four out of every five Nigerian girls and women who survive the long, harrowing journey to Europe will end up in the sex trade.
We often read about these stories in the news, but cannot adequately understand the harsh lives these girls and women endure at the hands of their traffickers. Essentially held in modern slavery, the women and girls have a debt placed upon them that they must pay off by prostituting themselves or else face dire consequences, sometimes fatal. Not only are they faced with threats by their Nigerian madams, they are also exploited in the streets where they are susceptible to sexually transmitted diseases, rapes, and physical violence. Wanting to tell these stories, Austrian filmmaker Sudabeh Mortezai wrote and directed Joy, an award-winning drama that shows the harsh and complex realities of these women and girls’ lives as prostitutes.
The Eagle Huntress narrated by Daisy Ridley follows the wonderful story of a teenage girl named Aisholpan who becomes the first eagle huntress in Mongolia.
We are introduced to Aisholpan at a boarding school located in a small town miles from her nomadic home because schools are quite far from where she lives. It’s the last day of school for that week and Aisholpan is taken home by her father on his moped. Her family are nomads that live in a simple circular hut in the midst of a vast barren plain edged by beautiful, rocky mountains. Her family consists of Aisholpan’s younger sister and brother, her mother, and her father.
Her father is one of the few remaining eagle hunters in Mongolia. For centuries Mongolian men caught eaglets, raised them, and used them to hunt for food to support their families. Since Aisholpan was a little girl she loved watching her father put on the eagle hunters’ garb and go out in search of food from rabbits to foxes. In fact, it was one of her joys to help her father with his eagle. As she grew older her father allowed her to play with his eagle as he saw her keen interest in becoming a hunter.
Last week I saw someone in my Twitter feed mention the new movie, The Long Night, that was recently featured on the New York Times. The Long Night is an online film by Tim Matsui and Media Storm and funded by the Alexia Foundation about girls who are sex trafficked in and around Seattle. I immediately watched the entire movie and sat there in stunned silence! I just … Continue reading Sex Trafficking of Girls Is an Underground American Problem